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Showing Collections: 1 - 6 of 6

Paul Bowles correspondence with Tom Christie

 Collection
Identifier: MSS 0861
Abstract

American writer and composer Paul Bowles corresponded with writer Tom Christie from 1981 through 1985. Letters in the collection discuss Christie’s ideas and progress on turning stories by Bowles into screenplays, especially “The Hours After Noon” and “The Frozen Fields.”

Dates: 1981-1985

A Girl Like I: typescript

 Collection
Identifier: MSS 0667
Abstract

This prepublication typed manuscript of American screen writer and author Anita Loos's (1893-1981) autobiography A Girl Like I (1966) bears typed and handwritten editorial markings. Some of the pencil notations are in Loos's hand.

Dates: 1963 and undated

The untouchables : screenplay

 Collection
Identifier: MSS 0099-F0721
Abstract

Original screenplay by David Mamet of The Untouchables, 125 pages plus 25 rewrite pages. Mamet's holograph additions, deletions, and corrections are evident throughout as he advances the storyline to an interim stage that would be reworked further into the film form.

Dates: 1986 February

I ought to be in pictures : screenplay

 Collection
Identifier: MSS 0099-F0847
Abstract

American playwright Neil Simon wrote this screenplay for I Ought to Be in Pictures.

Dates: 1980 October

Murder by death : screenplay and shooting calls

 Collection
Identifier: MSS 0099-F0937
Abstract

A mechanically reproduced typescript of the second draft of Neil Simon's screenplay, Murder by Death, which has laid in three shooting call sheets.

Dates: 1975

A song for St. Cecilia : playscript

 Collection
Identifier: MSS 0099-F0694
Abstract

Playscript of Calder Willingham's, "A Song for St. Cecilia." Includes typescript and typescript carbon pages, signed by Willingham, in red studio wrappers. Includes autograph renumbering of pages, and a few word changes by the author. Title page indicates "Second Draft #2."

Dates: circa 1950